Tickets are $59, plus fees
With five Grammy Awards, 14 Blues Foundation Awards, and a groundbreaking career spanning nearly 50 years under his belt, Keb’ Mo’s got nothing left to prove. Just don’t tell him that.
“I may be turning 70,” Keb’ reflects, “but I’m still breathing and I’m still hungry. I’m still out there going for it every single day.”
Born and raised in Compton, Keb’ began his remarkable journey at the age of 21, when he landed his first major gig playing with Jefferson Airplane violinist Papa John Creach. For the next 20 years, Keb’ would work primarily behind the scenes, establishing himself as a respected guitarist, songwriter, and arranger with a unique gift for linking the past and present in his evocative playing and singing. In 1994 he would introduce the world to Keb’ Mo’ with the release of his widely acclaimed self-titled debut. Critics were quick to take note of Keb’s modern, genre-bending take on old school sounds, and two years later, he garnered his first GRAMMY Award for Best Contemporary Blues Album with Just Like You. In the decades to come, Keb’ would take home four more GRAMMY Awards; top the Billboard Blues Chart seven times; perform everywhere from Carnegie Hall to The White House; collaborate with many including Taj Mahal, Willie Nelson, Bonnie Raitt, The Chicks, and Lyle Lovett; have compositions recorded and sampled by artists as diverse as B.B. King, Zac Brown, and BTS; release signature guitars with both Gibson and Martin; compose music for television series like Mike and Molly, Memphis Beat, B Positive, and Martha Stewart Living; and earn the Americana Music Association’s 2021 award for Lifetime Achievement in Performance.
In addition to his extraordinary musical output, Keb’ also established himself as a captivating onscreen presence over the years, appearing as himself in Martin Scorcese’s The Blues, Aaron Sorkin’s The West Wing, and even the iconic children’s series Sesame Street. He flexed his acting chops in a wide variety of projects, as well, portraying Robert Johnson in the 1998 documentary Can’t You Hear The Wind Howl, Howlin’ Wolf on CMT’s Sun Records, and the ghostly bluesman Possum in John Sayles’ 2007 film Honeydripper. A fixture on late night TV and award show stages, Keb’ has also performed on Letterman, Leno, Conan, Colbert, and Austin City Limits in addition to appearing on nationally televised broadcasts from The Kennedy Center, The Ryman Auditorium, and Eric Clapton’s Crossroads Festival.
A passionate philanthropist and outspoken activist, Keb’ has helped raise hundreds of thousands of dollars in support of social, environmental, and racial justice throughout his career. As a celebrity mentor with The Kennedy Center’s Turnaround Arts Program, which began under the guidance of First Lady Michelle Obama and the President’s Committee for the Arts and Humanities, Keb’ “adopted” The Johnson School for Excellence in Chicago, where he teamed up with teachers, students, and parents to help develop a thriving arts education program, and as a longtime ambassador for the Playing For Change Foundation, he’s supported the non-profit from its early days in its quest to provide free music education and basic needs like food, water, medicine, clothing, books, and school supplies to children around the world.
When Abraham Alexander unspools his extraordinary life story, it becomes clear that he should always trust his instincts. Each time he has, something unknowable but amazing has happened for him.
Born in Greece, where he spent the early part of his life with the Acropolis as his playground, Abraham was transplanted to Texas in the early 2000s at 11 years old to escape the ever present racial tension of his birthplace. Adopted in Texas after losing his mother in a car accident with a drunk driver, Abraham became a sports nut who excelled on the pitch and had first set his sights on a career in soccer. A torn ACL sidelined those ambitions but opened the door to a new path. A friend handed him a guitar during this downtime, and, without warning, his soul was unlocked.
Songs he did not know that he had in him poured out. A series of increasingly incredible chance meetings — including a life-changing encounter with Leon Bridges — led him to nurture this newfound musical voraciousness. Those roads have converged on his new album Sea/Sons, out now on Dualtone Records.
Co-produced by Alexander with the help of several folks including Matt Pence and Brad Cook, the album is a lush, seductive affair that showcases the singer-songwriter’s beguiling voice— one which offers both honey and grit— and supple acoustic guitar work. The 11 tracks on Sea/Sons display a cool assuredness even as the songs themselves play with themes of loss, redemption, longing, anguish, and joy informed by a complex life of love and pain. There is a refreshing genre fluidity at play as elements of folk, pop, rock, R&B, gospel, and even electronic music meld and tangle. Ineffable backing vocals, sparse but rich arrangements, and a sense of emotional purpose draw the musical threads together into a cohesive whole that is simultaneously warm and cool.
From open mics in Fort Worth, TX to recent stints on the road opening for Leon Bridges, The Lumineers, and Mavis Staples — an instructive trinity for his sound — Alexander is ready for the headlining spotlight and to articulate what many of us are feeling with Sea/Sons.